Antigone, rebellious and intimate (6/7. The vocation)

 

So many stories about identity! The word does not appear in Greek epic or tragedy. Identity at the time of Antigone is based on lineage and belonging to a city. Identity was impregnated with rootedness. The family and the city brought together under a virtual banner all of what the other was to know about himself during a first meeting. During antiquity, no one proclaimed his identity or promulgated it, and no one decided on his identity. It wasn't about putting on a costume. Men depended on their identity. Identity was like a charge, we had to be worthy of it. It established being and becoming. The modern era has made it an issue, because it has transformed identity into having, a sort of asset which one can dress up or discard. In its modern fantasy of believing that we can choose everything all the time, the modern era has relentlessly replaced being with having. Yet this logic, this ideology has its limits: some things cannot be acquired, among them: otherness. Living one's identity, being what one is, inhabiting one's name , allowing intimacy and therefore knowledge and deepening of one's being, these are the sine qua non conditions for an encounter with the other. The first difference between Creon and Antigone is located in this precise place, the ground on which the fight is built, Antigone preserves anchored in her this gift of the elders, of the gods, this rootedness which defines the authority to which she leans for stand up to this man, his relative, the king, who espouses the will to power and finds himself blinded by it to the point of hearing only his own voice, its echo. Continue reading “Antigone, rebellious and intimate (6/7. The vocation)”

Relativism is the horse dealer!

Relativism proves to be a sweet companion. Relativism is the horse dealer of the Abbé Donissan. You can travel with him. He is not boring, he stays in his place and shows unfailing empathy. However, he does not know compassion. Is it a problem ? Rather an advantage, he does not contradict, he agrees with me. With precision, he anticipates my agreement, sometimes he even conceives it before I have thought about it. Relativism gives the impression of dominating all certainties and has thus become the religion of the time, it is an emanation of the Republic which is itself an emanation of the Monarchy. Relativism is therefore a natural child of secularism, for this reason — it is its duty! — he keeps almost all religions on guard, a little less those who can blackmail him, with force those who would like to reconnect with a lost past. Relativism does not come to help, it is satisfied with its role of witness; he acts and acquiesces, he is a technician, an administrator, a statistician. He is not docile, he does not feel the need. He is not humble even if he sometimes manages to pass himself off as humility, but unlike the latter, relativism does not require questioning. It is certainly comforting, based on egotism and immediate satisfaction. When humility pushes to confess one's faults, relativism finds an excuse for all infractions by claiming the rule of double standards which, as its name suggests, can serve the goat and the cabbage. Where humility is an apprenticeship in the law to gain access to the spirit, the horse dealer proposes to forget law and spirit in order to live . To live with fullness or to live a kind of fullness. Relativism thus provokes death, slowly and gently, because it will erase even the presence of ideas in us, it will dehumanize us with absolute certainty. And we will agree with him. We will become robots. We will agree with him because he offers us immediate comfort, the one we well deserve, that of the impression, the one where the impression conceals the image that Narcissus fell in love with while looking at it, forgetting himself, without knowing himself, hypnotized until the death of himself. The death that befalls us.

Become yourself...

Isn't becoming oneself always becoming another? What can become of someone who does not walk towards who he is? We must constantly bridge the gap between who we are and who we think we are. What can someone who does not know who he is be? A wreck, an eternal drift, a grounding? This one can sink into all forms of submission, in particular the will to power; There is nothing that can temper it, caress it or control it. It is a question here of having the same requirement as in writing: joining as closely as possible, as closely as possible, the style and the subject. Succeed in uniting to become one. Operate and accomplish the metamorphosis to get out of oneself, to be oneself. Contrary to what is often said or believed nowadays, the perpetual encounter with the other, also called interbreeding or diversity or the next fashionable term, is only a subterfuge, a hysterical zapping, a means of s to see, to catch a glimpse of oneself and to camouflage this vision under a thankless, anemic and amnesiac make-up. Here continues to stir an agit-prop concerned with creating new needs and constantly renewing them to always create an unprecedented and endless dissatisfaction and to force the eternal and exhausting quest for the ghost of the self.

The quest for identity

In its mad quest to make people believe that we can choose everything all the time, the modern era has methodically replaced being with having. Yet this logic, this ideology has its limits: some things cannot be acquired, among them: otherness. Living one's identity, being what one is, inhabiting one's name , allowing intimacy and therefore knowledge and deepening of one's being, these are the conditions for an encounter with the other. The first difference between Creon and Antigone is located in this precise place, the ground on which the fight is built, Antigone preserves anchored in her this gift of the elders, of the gods, this rootedness which defines the authority to which she leans for stand up to this man, his relative, the king, who espouses the will to power and finds himself blinded by it to the point of hearing only his own voice, its echo.

Based on the values

Authority has lost its letters of nobility along with humility. Authority has become synonymous with implacable order, reckless force, tyranny. What an inversion of values! While authority according to Antigone prevented tyranny! The modern age has this impression of authority because it has been trampled on by men who have used it; while serving authority. But has authority been damaged by these disastrous experiences? A value cannot be damaged by a man. Fidelity unfolds above Saint Peter without his being able to do so. Loyalty unfolds above betrayal because it encompasses it. Loyalty asserts itself in betrayal. Betrayal carries with it no meaning except its own satisfaction. Any value also speaks of indecision and uncertainty within man. All value is a guardian and a shelter. No need to choose, value adapts to our weakness since it precedes our uncertainties. The modern world confuses authority and power by making them bear the same wounds and the same pains. God had to be taken out of everything. Neither the ancients nor the contemporary would understand, but that didn't matter, they counted for nothing now. If ever God did not leave, he would have to be killed. The 20th century wanted to be the time of the death of God. He will have killed only the death of his idea. Above all, he will have created a new anthropology based on suicide.

Antigone, rebellious and intimate (3/7. Destiny)

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3rd part: destiny

The man comes down from the tree. Man, like the tree, is defined both by its roots and by its fruits. Man, like the tree, depends on external and internal elements to reach maturity. Man resembles this trunk sculpted by hardship, leaning on its roots and bearing more or less beautiful, more or less good fruit… The resemblances between the plant world and man are endless. From the water that nourishes the roots, to the sun watering the fruits, to the oxygen exuded by the leaves, all this life that rushes in and circulates reminds us in an irremissible way of the human condition. The tree is a metaphor for the family. From the seedling to the fruits and leaves, a metaphor for the history of man and the family develops. Which evil fairies presided over the birth of the Labdacides family from which Antigone descends? Any fine conscience these days would see it as a calamity and a pathological explanation for Antigone's decisions. How does this little Antigone become this heroic fruit by being born on a trunk so full of stigmata and bruises? Destiny blows and guides this family in an uninterrupted and obtuse way and, suddenly, Antigone frees herself from this straitjacket, frees her whole family from this straitjacket, she undoes the straitjacket, and completes the dismissal of destiny. What a miracle! From a distance, clinging to their branch, two leaves always seem identical, yet you just have to approach to see how much they differ. Continue reading “Antigone, rebellious and intimate (3/7. Destiny)”

Antigone, rebellious and intimate (2/7. The funeral)

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Part 2: The funeral

My dear Ismene. I come this morning to tell you that I took care of everything. I took the same undertakers for our two brothers. I couldn't choose and since our brothers didn't leave any last wishes, I took matters into my own hands to get it sorted out as soon as possible. I still ordered embalming so that they are presentable. If you want to go see them, they'll be ready around 3 p.m. You do not have to. Well, if you can take ten minutes, that might be fine. It may be better to keep an image of them happy, children for example. I took the same urn model for both. A priest will come to the funeral home and give a short speech before the cremation. I ordered him to come to the funeral home. You see, I took care of everything. Eteocles will be buried in the cemetery which is located about thirty minutes from Thebes by taking the national. For Polynice, it is more complicated with the law of our uncle, Creon. I decided to scatter his ashes on the battlefield as the king does not want him buried. Makes sense, right? Tell me what you think, I'm not stopped on this point. This portrait of Antigone living in the 21st century delivering the remains of her brothers to the funeral director summarizes the rite of funerals today. The family has since the Industrial Revolution been rendered unproductive. Funerals are no longer part of the family tradition. The modern world is reassured by using the formula make sense , as the translation of the Anglo-Saxon expression is heard today, and as it is so comforting to repeat it to oneself without it really having any… sense, because what what are these mini-senses found on the ground almost by chance, what are these skin-deep that invite themselves in almost without our being there for nothing, if not the residues of a past sense, a common sense, a good sense sculpted by the centuries? Through the destruction of the family, transmission between generations is lacking, the meaning of our actions is lost, so we have to invent meaning, create meaning, we have to give ourselves the illusion of still living, of not not have totally given up. Deceit is backed up by ignorance, and on this point too, trickery is not new. The meaning given by death within the family, this meaning almost completely forgotten nowadays, is recalled by Antigone in Sophocles' play where she stands as a guardian of the values ​​that liberate, because they protect man from death. 'animal. Antigone reaffirms what man can and cannot; it takes hold of a force destined to protect us from our will to power and to teach us the time of responsibility; a time nowadays entrusted to specialists replacing the family, the people who compose it and the tenuous links woven between them over time.

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Antigone, rebellious and intimate (1/7. The family)

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1st part: the family

From the first reading of Antigone, an ambiguity settles in the mind of the reader. Does Antigone embody action or reaction? What moves Antigone? The reaction never exists by itself whereas the action needs no one, it legitimizes itself in the act. Action always inaugurates something. Contrary to what is often said or believed, Antigone does not wait for Creon to be Antigone. Like Electra for revenge, Nausicaa for hospitality, Penelope for fidelity, Antigone embodies duty. It is action, because it serves: it is accomplished in duty. It is accomplished in servitude (are we pretending to forget that servitude means “to be a slave”?). Contrary to what is often said or believed, Antigone is never an individual. She never stands alone. If the law of Creon pushes it to action, and if this one can seem a reaction, it is only on the surface, by simple chronology.

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Charlie's Fate

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“The enemy limits you therefore gives you your form and founds you”. This sentence from Saint-Exupéry expresses quite well our condition at the end of this first week of the year 2015. The enemy forces me to evolve according to his codes, within a space that he has circumscribed. First I am a prisoner. He chooses the terrain and compels me to remain confined there. Of the two immutable human givens, space and time, he takes space away from me. Taking space away from time is a bit like taking Laurel away from Hardy. The other unit lives on, but is disfigured. She lost the balance offered by the otherness of her spouse. Time is not the same depending on the space in which it evolves. Geography accomplishes destiny with a measure as precise as the hourglass. Continue reading “Charlie’s Destiny”