In the heart of darkness, life

The-Tree-of-Life

After seeing "Tree of Life", I for a long time forbade myself to write about this film. Two forces clashed within me. Captivated by the poetry, by the state of bliss in which I was immersed, I was afraid of disturbing the surface of this work. I got so wrapped up in the mystery of this film that I couldn't understand the negative reactions and was unable to think critically 1 . “Tree of Life” is based on a book of the Bible, “the Book of Job”. And this dark book speaks of life and of man's relationship to God. Which is present in many books of the Bible. But the Book of Job begins with a dialogue between God and Satan who play with man. The impression left by this inaugural dialogue is strange. Of course, the opening dialogue wouldn't be quite from the same era as the central narrative. It does not matter in fact, the impression left is represented during the course of the book. How can God make fun of his beloved creature? A hasty conclusion accounts for the implausibility of the situation. In truth, once the bark is removed, the Book of Job delivers the heart of the relationship between God and man. And “Tree of Life”, the film by Terrence Malick, has the same ambition.

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The sticky moralism of the West

It is always fun and instructive to realize the contradictions of your adversaries. How, from this modern society so proud of its freedom, of its way of conceiving intimate things, this society of sensuality (when care has been taken to confuse sensuality and pornography), emerges a prudish, restrictive, voyeuristic and above all moralist (reread here the essay by Jean Marie Domenach: Une Morale sans moralisme). Where this plenipotentiary modern society tries to confuse the morality of Catholicism which it portrays as archaic, it very quickly develops anti-bodies in the form of a moralism which only feels good when judging the neighbor. This is petty-bourgeois morality. It is a French character trait. But that other European countries share with it.

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