Paradise Lost by Sebastien de Courtois


There is a nostalgia for a lost paradise. We all feel it, more or less; it connects us to original sin and to the fall. This disease torments pure souls. She heels and waves. Illness of youth if ever there was one, romantic madness, this nostalgia is at the heart of Sébastien de Courtois' novel, L'ami des beaux jours .

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Identify

Identity is divided on the one hand into a base which is in us without our being able to derive any particular merit from it, our nature and the education we have received, and a movement constitutive of life which discovers elements which are not listed by our nature or upbringing, but must be read up to our nature and upbringing. Much of this process happens without our even having to think about it. It is however essential, essential and obliges us to the permanent revision of this nature and this education, just like with the permanent revision of these new elements through the prism of our nature and our culture. Balance, here again, is essential. There is no question of forgetting or worse of not being aware of our nature, of forgetting or worse of losing the benefits of our education, to approach the shores of novelty, or else we will be nothing but one threadbare flag in the wind, we will have no criteria for judging novelty and we would risk seeing in this novelty only novelty, and only liking it for that.

What is it to be above ground?

The most illuminating example of human nature is found in the New Testament when Peter and Jesus Christ talk together and Peter urges his master to believe his devotion to be completely sincere. Thus, Jesus announces to him that the rooster will not have crowed that he will have denied him three times. The first place every man talks about is this: his weakness. Taking into account the limits of each, not always to resolve them, but also to overcome them, obliges to reason from what one is and not from what one believes to be. Any man who does not know his weaknesses, who forgets them, who does not take them into account is above ground, as we are used to saying nowadays. Above-ground meaning that we are nourished by a pasture that is not ours, that we renounce our pasture to find any other pasture than our own, better because it is different. Above ground also means that the comments received could be obtained anywhere else in the world without this posing a problem, these comments being rootless, translatable into any language and exportable as a computer “framework”. The formula "above ground" forbids answering the question "where are you talking about?" » and the first formula likes to taunt the second as identity or « far-right ». By dint of having wanted to dodge this question, we destroyed it. In the future it will no longer be possible to ask where we are talking about, because we will have reached such a level of abstraction and uprooting that this question will no longer even have any meaning.

Antigone, rebellious and intimate (3/7. Destiny)

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3rd part: destiny

The man comes down from the tree. Man, like the tree, is defined both by its roots and by its fruits. Man, like the tree, depends on external and internal elements to reach maturity. Man resembles this trunk sculpted by hardship, leaning on its roots and bearing more or less beautiful, more or less good fruit… The resemblances between the plant world and man are endless. From the water that nourishes the roots, to the sun watering the fruits, to the oxygen exuded by the leaves, all this life that rushes in and circulates reminds us in an irremissible way of the human condition. The tree is a metaphor for the family. From the seedling to the fruits and leaves, a metaphor for the history of man and the family develops. Which evil fairies presided over the birth of the Labdacides family from which Antigone descends? Any fine conscience these days would see it as a calamity and a pathological explanation for Antigone's decisions. How does this little Antigone become this heroic fruit by being born on a trunk so full of stigmata and bruises? Destiny blows and guides this family in an uninterrupted and obtuse way and, suddenly, Antigone frees herself from this straitjacket, frees her whole family from this straitjacket, she undoes the straitjacket, and completes the dismissal of destiny. What a miracle! From a distance, clinging to their branch, two leaves always seem identical, yet you just have to approach to see how much they differ. Continue reading “Antigone, rebellious and intimate (3/7. Destiny)”

News from Hyppolite Taine

He is a pedant, the pedant is the hollow and inflated mind which, because it is full of words, believes itself to be full of ideas, enjoys its sentences and deceives itself in order to dictate to others. He is a hypocrite who thinks he is sincere, a Cain who takes himself for Abel.

 

In this shrunken brain, given over to abstraction, and accustomed to herding men into two categories under opposite labels, whoever is not with him in the right compartment is against him in the wrong one, and in the wrong compartment between the rebels of all flags and rogues of all will, intelligence is natural. […] Every aristocrat is corrupt and every corrupt man is an aristocrat.

 

The left which is born with the Revolution displays a totalitarianism which, if it is sometimes hidden, is not less always present; it rests on the hatred of what does not think like it.

Hyppolite Taine in his Origins of Contemporary France described Robespierre in this way. But if instead of Robespierre, we put Hollande, Valls, or even worse Taubira, this portrait would fit them like a glove. Especially since pedant is masculine and feminine, he thus places everyone on an equal footing, this notion so dear to these… pedantic.

Which saints to turn ?


The Marcial Maciel affair forces us to ask the question of Evil. Our time avoids rubbing shoulders with it. What do we know about the work of the devil and what can we do to protect ourselves from it? After trying to hide the good in life, is it any wonder that evil comes to light? The works of the devil are innumerable, but the Holy Spirit can do everything, especially transform them.

You had to have the eloquence of Léon Bloy to affirm: “There is only one sadness, that of not being a saint”.
This nagging question of holiness always comes back like a season that does not pass. There are many things we can get rid of, but never the question of holiness is one of them. It is consubstantial with us. As soon as we see or witness something right or wrong, something good or bad, we walk on the path of holiness. Whether towards her or against her. It takes a long time to realize to what extent the question of holiness is consubstantial with us. We are holy, we are a temple, we started from the Church which is holy, we are in the image of God who is Holy, and yet we shake ourselves, we fall, we struggle, we strive... So little results for so many promises. It is that the condition of saint requires a great deal of effort and gives little visible results. Read more about “Which saints to devote to?”

Christian testimony – 2

When I started this blog, very quickly the idea of ​​writing on the liturgy came to me. Not to claim specialist status, but to share my experience of what is at the heart of a Christian's life. There were therefore two paths that had to merge: It was necessary to tell the mass (and its benefits), and then entrust the journey that had revealed it.

Part 2: Christianity, king of communities – At the foot of the altar

When I lived in London, the thought of spirituality never ceased to inhabit me. My quest boiled down to the permanent search for the inner life. This beating, throbbing heart could only be flesh and blood. That was my intuition. Twenty-five years later, it's a certainty that lives in me: not to let this heart beat and throb without giving it enough time, attention and affection. Unceasingly, seek to deepen this mystery which surrounds it. Anything that prevents this dialogue, anything that interferes with this connection, provokes my deepest contempt. This burning intimacy has perfect enemies hatched by the modern world, enemies like communitarianism and syncretism.

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A short history of Envy, from hero to scapegoat

4The modern world keeps presenting us with scapegoats. Lance Armstrong, Richard Millet, Jérôme Kerviel, John Galliano, to name but a few, each in a field, with completely different causes and reasons, have recently embodied the scapegoat, the justly punished culprit, the impediment in a circle put back in its place. The scapegoat is linked to egalitarianism, itself linked to envy. From hero to scapegoat, only the desire does not change. The modern world has the spectacle in its blood, the scapegoat has a cathartic function there.

In the era of modern democracy, everything goes through Twitter or Facebook. The real information is there. Not being there is tantamount to disappearing, to maintaining a life in the shadows, a shadowy life. On social networks, the height of modern democracy is allowed: rub shoulders with the idol, live with the idol, to the rhythm of the idol, knowing everything about her, seeing her when she gets out of bed, embracing good evening; only tactile contact is missing. This proximity transforms the role of the idol that has always been known, it changes it forever. If the idol were a simple statuette, it would not speak, it would not respond, it would only occupy the place left to it, it would gather on its effigy all the mental images that the brain can produce. The modern world does not know the mental image, it is beyond fantasy. He hates what is hidden, let alone what is secret. Hence the often-used phrase: fantasy come true. The fantasy - phantasmata , the mental image for the ancient Greek - cannot be, must not be, a reality. Otherwise horror awaits. Otherwise we can only pray while waiting for everything to return to its place. There is a possible wildness in rubbing shoulders with the idol too closely. Through this proximity, the modern world has undertaken to create a cathartic lever to control consciences. The idol can be a hero or a scapegoat, it can serve the society of the spectacle and its soft dictatorship. It also allows you to fill in boxes: hero, scapegoat, fallen, condemned, victim... A sheet of cigarette paper separates these qualifiers. Against a background of moralism, society shows its cards and distributes the good or bad points. All areas are affected, but some are more “popular” than others. The scapegoat allows you to get a makeover, to deceive, or to affirm your responsibility and your incorruptibility. But no one should be fooled by such schemes. The society of the spectacle is a simulacrum of society based on intrusion, indecency and denunciation.

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Emmanuel Todd or intellectual vulgarity

Emmanuel Todd was on France Culture the other morning to give us his good word. Emmanuel Todd is a prophet. He's got it. Above all, he claims it. He doesn't have the honesty. Indeed, one cannot be a prophet and an ideologue.

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