Antigone, rebellious and intimate (7/7. Love)

7th and last part: Love

Antigone's desire is family, she does not want to leave her brother unburied; Creon, he wants to assert himself as king and show his power. Antigone favors family ties that embody love and reveal a being. Creon establishes his power by signing an act of law which must establish his authority. The same word characterizes their action: desire. But desire does not recognize desire in the other, one might believe, especially if one is tempted to worship desire for itself, that desire dubs any desire it encounters. Between Creon and Antigone, it is the measure of the desires that counts. Face to face, Antigone and Creon will increase the measure of their desires to the adversity they encounter. But is the source of Antigone's desire still understandable today? Indeed, Antigone's desire, this desire which is based on justice, justice done and returned to the remains of her brother and to the gods, this desire takes on its full meaning, because it is communal, it is part of a city ​​and in a family, reduced vision of the city, and in a belief, Antigone leans against the gods to challenge Creon. Antigone does not express a personal desire, she defends an eternal law, she defends her duty to say it, to claim it before any power that thinks itself above her. Since when do we no longer hear anyone standing up in the public space to claim their duty at the cost of their life? The worst ? We have become accustomed to this silence, this resignation, the transcendental laws no longer tell us much, so nothing comes to overhang and therefore correct the laws which pass in front of us and encircle us like rubbish in a stream of water. The communities that fortified the individual within a space that protected him and allowed him to grow were shattered. The individual now looks like a crazy electron who can only build himself up from gusts of wind that constantly exhaust him and confuse him and erase even the taste for the meaning to be given to his life. Social life is based on law and law alone, but in a place without geography made up of people above ground, all rights are equal and crushed in an odious shambles. Creon has the power. Antigone is the daughter of Oedipus. At a time when it is no longer a question of having, of possessing, of acquiring, Antigone weighs—since it is necessary to evaluate—very little. The methodical destruction of all metaphysics is akin to a crime against humanity. Perhaps the greatest the world has ever known. Since with one click, I can acquire everything, I only need to know my desire to satisfy it. We also understand that this individual desire that nothing protects from his appetite accepts no limits and especially not those set by others; then comes into play envy, debased, debased desire.

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Antigone, rebellious and intimate (5/7. Authority)

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Part 5: Authority

In ancient Greece, men know each other and recognize each other in the eyes of their family, their loved ones, their community. Women reserve the mirror for themselves, which started with beauty, femininity and seduction. Reflection is everywhere. “There is no place that does not see you” writes Rilke. Can we exist without reflection? Can we be aware without knowing ourselves? Man should not see himself in the mirror for fear of being absorbed by his image. This image that manages to make us forget that we are there. If we think what we see, we hear it, it resonates in us, and we dream it too. Our image escapes us as soon as we see it. Thus the woman adjusts herself in the mirror when the man could lose his foundations there. The dream, binomial of memory, conceals time and numbs it. What did we see and when? The gaze and the reflection and the imagination interpenetrate and cannot be dissociated. To see and to know oneself merges among the Greeks. To see, to know oneself... but not too much, because if man is a marvel, in the sense of an incident, of a fascinating fracture, he also conceals his own terror, he exterminates and tortures himself, and he is indeed the only “animal” in this case.

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What is it to be above ground?

The most illuminating example of human nature is found in the New Testament when Peter and Jesus Christ talk together and Peter urges his master to believe his devotion to be completely sincere. Thus, Jesus announces to him that the rooster will not have crowed that he will have denied him three times. The first place every man talks about is this: his weakness. Taking into account the limits of each, not always to resolve them, but also to overcome them, obliges to reason from what one is and not from what one believes to be. Any man who does not know his weaknesses, who forgets them, who does not take them into account is above ground, as we are used to saying nowadays. Above-ground meaning that we are nourished by a pasture that is not ours, that we renounce our pasture to find any other pasture than our own, better because it is different. Above ground also means that the comments received could be obtained anywhere else in the world without this posing a problem, these comments being rootless, translatable into any language and exportable as a computer “framework”. The formula "above ground" forbids answering the question "where are you talking about?" » and the first formula likes to taunt the second as identity or « far-right ». By dint of having wanted to dodge this question, we destroyed it. In the future it will no longer be possible to ask where we are talking about, because we will have reached such a level of abstraction and uprooting that this question will no longer even have any meaning.

Antigone, rebellious and intimate (6/7. The vocation)

 

So many stories about identity! The word does not appear in Greek epic or tragedy. Identity at the time of Antigone is based on lineage and belonging to a city. Identity was impregnated with rootedness. The family and the city brought together under a virtual banner all of what the other was to know about himself during a first meeting. During antiquity, no one proclaimed his identity or promulgated it, and no one decided on his identity. It wasn't about putting on a costume. Men depended on their identity. Identity was like a charge, we had to be worthy of it. It established being and becoming. The modern era has made it an issue, because it has transformed identity into having, a sort of asset which one can dress up or discard. In its modern fantasy of believing that we can choose everything all the time, the modern era has relentlessly replaced being with having. Yet this logic, this ideology has its limits: some things cannot be acquired, among them: otherness. Living one's identity, being what one is, inhabiting one's name , allowing intimacy and therefore knowledge and deepening of one's being, these are the sine qua non conditions for an encounter with the other. The first difference between Creon and Antigone is located in this precise place, the ground on which the fight is built, Antigone preserves anchored in her this gift of the elders, of the gods, this rootedness which defines the authority to which she leans for stand up to this man, his relative, the king, who espouses the will to power and finds himself blinded by it to the point of hearing only his own voice, its echo. Continue reading “Antigone, rebellious and intimate (6/7. The vocation)”

Antigone, rebellious and intimate (3/7. Destiny)

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3rd part: destiny

The man comes down from the tree. Man, like the tree, is defined both by its roots and by its fruits. Man, like the tree, depends on external and internal elements to reach maturity. Man resembles this trunk sculpted by hardship, leaning on its roots and bearing more or less beautiful, more or less good fruit… The resemblances between the plant world and man are endless. From the water that nourishes the roots, to the sun watering the fruits, to the oxygen exuded by the leaves, all this life that rushes in and circulates reminds us in an irremissible way of the human condition. The tree is a metaphor for the family. From the seedling to the fruits and leaves, a metaphor for the history of man and the family develops. Which evil fairies presided over the birth of the Labdacides family from which Antigone descends? Any fine conscience these days would see it as a calamity and a pathological explanation for Antigone's decisions. How does this little Antigone become this heroic fruit by being born on a trunk so full of stigmata and bruises? Destiny blows and guides this family in an uninterrupted and obtuse way and, suddenly, Antigone frees herself from this straitjacket, frees her whole family from this straitjacket, she undoes the straitjacket, and completes the dismissal of destiny. What a miracle! From a distance, clinging to their branch, two leaves always seem identical, yet you just have to approach to see how much they differ. Continue reading “Antigone, rebellious and intimate (3/7. Destiny)”

News from Louis-René des Forêts

On this rainy Sunday, rereading the notes taken on the sidelines of the wonderful Ostinato , this nugget in the middle of nuggets:

Let's not veil our figures with our hands. There is no longer a place to venerate, no act of glory or intelligence to absolve a world seduced by the force spreading its defilement everywhere, and which will have curtly raised its ruins as one refuses the fault with the cunning smile of business. .

Charlie's Fate

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“The enemy limits you therefore gives you your form and founds you”. This sentence from Saint-Exupéry expresses quite well our condition at the end of this first week of the year 2015. The enemy forces me to evolve according to his codes, within a space that he has circumscribed. First I am a prisoner. He chooses the terrain and compels me to remain confined there. Of the two immutable human givens, space and time, he takes space away from me. Taking space away from time is a bit like taking Laurel away from Hardy. The other unit lives on, but is disfigured. She lost the balance offered by the otherness of her spouse. Time is not the same depending on the space in which it evolves. Geography accomplishes destiny with a measure as precise as the hourglass. Continue reading “Charlie’s Destiny”

Simone de Beauvoir on human life

“To declare that life is absurd is to say that it will never have meaning. To say that it is ambiguous is to decide that its meaning is never fixed, that it must always be won.*”

Tremendous declaration of impotence draped in an expression of the will to power or how envy must regulate, rule life. This sentence is of course a revolutionary manifesto. Simone de Beauvoir defines the class struggle and all the actions of the left since the French Revolution: envy as an act of faith. Envy is always the daughter of immanence. Simone de Beauvoir tells us: “God is dead, let us now know that we are masters of our lives and that they are fulfilled in action. By acting in this way Simone de Beauvoir ignores religion but also ancient philosophy, she affirms that permanent struggle is the only way. This permanent struggle is maintained by envy; envy has this unstoppable force, it feeds on its defeats as well as its victories. It is the evil force par excellence. She faces life.

Simone de Beauvoir's philosophy of life is adulescent, as Tony Anatrella would say, and in fact it is a negation of life because it denies its quality and its thickness in order to resolve it into a permanent and pathetic struggle.

We also see the form of modernism. This action immediately becomes a negation of the inner life. Or rather it wants to be a replacement for the inner life because it is common to hear, by a spectacular reversal of meaning, that action is the inner life of the militant. We also understand that this declaration in no way wishes to find a solution, appeasement would be its end. She only delights in noise and violence.

*An Ethics of Ambiguity.